Remember the first time you saw an HDTV? Chances are it wasn’t the level of detail you remember, it was something… else. It was like you were looking out a clean window for the very first time. Colors were brighter, shadows were darker, and everything was much more immediate. It just had a very electric quality that you couldn’t quite define.
What makes it special
It’s taken almost a generation for TV makers to realize it, but that “pop” has much more to do with why people buy TVs than almost anything else. Getting people to put out another $1,500 for a TV after doing it fewer than ten years ago has proven hard, and it turns out it’s the lack of “pop” that’s keeping people’s credit cards in their wallets. In order to understand how to loosen those purse strings, and understand why they’re so tight now, we need to take a few steps back.
A funny word like “gamut”
The word you need to understand is gamut. It’s a technical term that means “the difference between the brightest and darkest things that can be displayed by a device. It’s not easy to understand gamut, but I’ll try to lay it out.
Everything that is capable of showing images has a gamut. That’s printed pieces, TVs, everything. Think about an image in a newspaper (yeah, you first have to try to remember what a newspaper is) and the paper is grey and the black ink is really dark gray. Nothing can be lighter than the paper or darker than the ink. So pictures always look muddy because of that. We call that a “small” gamut.
As the gamut gets “larger” then the whites get whiter, the blacks get darker, and everything in the middle gets brighter. If you’re looking at a painting in a museum, it may strike you as having incredibly intense colors. The blues may totally pop, the greens may strike your eye… and that’s because the painting has a “large” (sometimes we say “wide”) gamut. It’s a combination of the paints themselves and the special lighting that’s being used.
Comparing this to older TVs
Now let’s take this to the world of TVs. Older tube TVs had a fairly small (or “narrow”) gamut. The black was never really terribly black and the white wasn’t super-bright. Compare that to the top-end TV available now, the white is 2-3x brighter and the black is as dark as the lighting in your room will allow. That is what makes the image really pop. It’s not the size or the detail as much as the difference between the white and black, which naturally pushes the saturation of the bright colors while maintaining the subtlety of the dull ones.
If you take a look at the image at the top of this article, you’ll see a little bit of what I mean. The outer area is a regular image, while the inner area has a wider gamut. Even though the grey areas look the same everywhere, the colored areas really pop. When an image takes advantage of the full gamut of today’s modern display devices, we call that “high dynamic range,” or “HDR.”
How important is HDR?
The importance of HDR is something that TV makers have slowly come to embrace. In newer high-end TVs, there are new display panels that can show a very wide gamut, and they’re also starting to include software that helps regular images take advantage of that gamut. There’s some content out there that uses this full gamut, although it’s coming from streaming services that compress things way too much. In my opinion it can’t completely be trusted.
For a decade now, content providers have been using “gamut compression” to create HD images that take up less space on a disc or as part of a broadcast. They have intentionally been making images flatter looking because they were more worried about detail than “pop.” As it turns out, this may have been a mistake, although it was probably necessary in the past to keep HD systems working. That line of thinking has to change now that devices can actually show that full, wide gamut and now that we understand how important it is.
When you really could have used HDR
If you think back a year, to when we used to complain about more trivial things, one of the biggest complaints about the battle of Winterfell on HBO’s Game of Thrones was its overall darkness. Depending on the device you were using, it might have seemed practically impossible to see anything. The last season was panned overall, and this pivotal battle did more to enrage fans than anything before. (Although, if you’re like me you’re still more angry at “Bran the Broken.”)
Here’s how HDR fits into that. Although producers haven’t said so, the whole episode was probably shot in 4K HDR. I know if I were spending $20 million on an episode I would want it done with the highest possible technology, wouldn’t you? So the whole thing looked great in the editing room. Unfortunately, HBO isn’t broadcast in 4K or HDR. When it got to people’s TVs, a lot of that extra gamut was lost. The result was a dark mess.
When will we see more HDR content?
The first HDR TVs started to trickle into the market about five years ago. Today pretty much any TV you get for over $600 will be HDR-ready. Some are really truly exceptional, and some just barely meet the requirements. As far as HDR content, almost all of it is on streaming, which tends to mean it’s lower quality. DIRECTV shows some HDR content on its 4K channels. That’s going to be the best quality you’ll see unless you invest in a marginal format like Ultra HD Blu-ray.
Overall though, people aren’t clamoring for HDR. They should, because I have a feeling that a lot of stuff is produced in HDR and it would all look better if it were transmitted and shown that way.
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